AL INTERVIEWS GEOFFREY FIDELMAN, AUTHOR
OF FIRST LADY OF SONG
GF: Young people have always gotten into
Ella's rhythms. They seem to understand
that much of rock and punk comes from
jazz. Nobody gets tempos like
Ella...
AL: What are your all-time Ella
favorites?
GF: Most of my favorites are things Ella
did live in concert. Her "Mack the
Knife" and "How High the Moon" are
classic examples of jazz improvisation.
And no one can sing "Too Close for
Comfort" like Ella did.
AL: Does Ella have the same allure for
gays that Judy Garland had?
GF: I don't think anyone has the allure
for gays that Judy had. Ella has
always had a wide range of admirers,
young and old, gay and straight..
However, she especially appeals
to sensitive people in her ballads.
Play an Ella ballad with a cat
in the room, and the animal will
invariably go up to the speaker,
lie down and purr.
AL: Why has there been some criticism
of Ella by African-Americans?
GF: Perhaps it was because she appealed
to a mass, usually white audience,
while others were limited to African-
American audiences only. In reality,
no one broke more color barriers than
Ella...
AL: What Ella compact disks would
you recommend for the beginner?
GF: "The Best of The Songbooks" (Verve),
"The First Lady of Song" (Verve)
"The Perfect Match" (Pablo)
The latter album is from an
Ella and Basie concert...
AL: Two legends in one....
AL: Why would young people who are into
surfer punk or industrial rock want
to listen to Ella Fitzgerald?